Hot Time at the Brooklyn Botanic’s Chile Pepper Fiesta

Brooklyn Botanic Garden Sept 29, 2012GRAY SKIES, WHO CARES?  That was the attitude of the crowd at the Brooklyn Botanic Garden‘s 20th Chile Pepper Fiesta today.

At lunchtime the Kulu Mele African Dance and Drum ensemble played under a tent on the Cherry Esplanade; visitors sat inside or out under the cherry trees, and children hopped and danced around. It was good laid-back Saturday time for couples, friends and families.

Co-chef Johnny Mclaughlin of Heartbreaking Dawns.

Strangely, “Chocolate Debauchery” had me enthralled up in the Osbourne Garden just when Hazmat Modine – billed as “dueling harmonicas, funk tuba, and eclectic blues” – was scheduled to take the stage at 2:15. On the grassy Osbourne plaza there was plenty of vendor action not only with spicy samples to taste, but picklers and sauciers to chat with and learn from. Nearly 50 tents in all.

Everyone has a story, it seems, about how or why they started their artisanal businesses. Some have been in business for decades, like Grace Foods, which boasts of “quality since 1922.” With its Jamaican roots through Grace, Kennedy, & Co., there’s plenty of history (about 9 pages on the web site, for instance), but most are much younger businesses. Sour Puss Pickles, for instance, had a born-yesterday hopefulness about it; a his-and-her company, it was founded in 2009.

Another his-and-her company provided the most intriguing story of the day, however, though one not fully told, only hinted at. I talked with Johnny Mclaughlin about his wares and his generously offered recipes, and then asked how the Hudson Valley company he developed with Nicole Ramsperger came to be called Heartbreaking Dawns. “It’s from the poem,” he said. “By Rimbaud.”

Uh, “Season from Hell” sprang to mind; was it by that Rimbaud, the dissipated symboliste poet of perpetual adolescence? My questioning got a shrug and a smile. (Once home, I looked it up; it’s from “The Drunken Boat,” a longish poem and much admired, that Rimbaud wrote when he was 16. The passage translates as, “But, truly, I have wept too much! The Dawns are heartbreaking. Every moon is atrocious and every sun bitter.” Hmm.)

All in all, the “hot” chocolate spiciness was the real discovery of the day for me. I came away from the Chile Pepper Fiesta with a tingling tongue, a messenger bag clicking and clanking with jars and bottles, a sheaf of recipes and brochures, and a bunch of new ideas about peppers.

Weekend To Do List: Sept. 28, 29, 30

Saturday only: Brooklyn Botanic Garden’s Chili Pepper Fiesta featuring local producers The Saucey Sauce Co and Raaka Chocolate among others.

Last weekend for the Dekalb Market. Sunday’s a goodbye party.

Dumbo Arts Festival, a three-day celebration of art, music & performance.

Sunday only: Atlantic Antic, one of the original street festivals in New York City and Brooklyn. Food, craft, music. (Guaranteed to be more than just tube socks.)

Brooklyn Navy Yard, BLDG 92. Exhibitions and free tours.

In Appreciation

Taking advantage of this beautiful day to put some of the Brooklyn Backyard garden to sleep for the winter. Spent two hours gently digging up and separating and cleaning small oxalis bulbs. A very labor-intensive, though (for me) satisfying task that I do every fall. Repetitive, solitary, quiet with birds and rustling leaves.

And later on I intend to sit quietly and knit for an hour or two before Yom Kippur arrives this evening.

I think of those who use their hands and lovingly create amazing things for all to admire, use, taste, share.

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Are We Ready for a Craft Economy?

RECENTLY BROOKLYN ARTISAN sent a New York Times article by Adam Davidson about artisanal pickle making and the rebirth of a craft economy  to an old friend writing here as the Skeptic from Boston.

SfB: You bait me… I bite.  Theoretically a craft product is made by hand and involves skill.  I don’t think making a “craft cocktail,” even if the bartender has an untrimmed beard and a stingy brim, requires so much skill that it is worth $12.00.  I recently read about a couple with wheat and gluten allergies  starting a business to package “natural” artisanal wheat-like foods without wheat. Let’s hope they didn’t quit their day jobs to do it.

The economy in Boston is okay but not great, so there are some underemployed smart young people looking for high returns in niche markets. For example, last year there were two recent college graduates at the Cambridgeport Farmers Market locations with a folding table and a set of brochures for organically grown oyster mushrooms, but no mushrooms. The mushrooms were nearing harvest somewhere on Cape Cod, they said, so they were selling impregnated do-it-yourself mushroom logs, but no mushrooms. They showed up for six weeks straight, May to June, and talked to people about their plans, conceived in their dorm room, supported by a business plan and product descriptions, but no mushrooms. Then they disappeared.  The other farmers figured they moved to Brooklyn.

BA: True, many artisanal entrepreneurs here are starting micro businesses for lifestyle reasons – some to supplement their unemployment checks or because their jobs have stagnated in large corporations or they’re selling coffee at Starbucks. They’re frustrated by this economy and trying to create their own jobs. Or they’re the stay-at-home spouse whose child is old enough now for nursery school. They need to make money, they seek some creative satisfactions, they enjoy the sport of a start-up, and they like to feel some control.

Also, they welcome a chance to express their values—very likely they believe in fair trade, organic farming, local foods, reclaimed or sustainable materials, non-polluting and natural ingredients, high quality, and putting their hearts into their work. These ideas are not empty clichés. Many artisanal entrepreneurs are hoping to create soul-satisfying livelihoods. Yoga teaches its disciples to live the change they believe in, to be the change. It’s a very similar impulse.

SfB:  Yada, yada.  I wanted mushrooms, not mushroom marketing.  It is difficult to make really good bread, cheese and pasta. They take years of training and practice. Good bakers take years to “find their own bread.”

Some old Boston-area warehouse and factory buildings have been converted to artists’ workspaces. I visit the Radcliffe and Mudflat pottery shows every year. They are doing okay. Mostly part-timers and hobbyists. It may be quite some time before we see the beginning of a new Arts and Crafts movement with significant impact on the economy.

The Boston Globe has been paying more attention to good food, but we don’t have many centralized specialty markets here. I usually have to drive to Brighton, Watertown or Somerville to check in on the craft food makers. Only the hard cases, like European educated bakers, seem to be making real money.  We have few craft butchers left in the city, but some of the farmers are offering humanely raised, good-quality meats from coolers during the summer months. It is not easy work and they have supply problems because there are not enough small slaughterhouses in Massachusetts anymore. Most of the work is done in N.Y., N.H. and Vermont. Kate from Stillman’s Turkey Farm was thinking aloud last week, about what it would take to open her own small USDA facility: proposals, architectural plans, grant writing and spread sheets. Then finding someone to build the facility, and local workers with slaughterhouse and custom butchering skills. My grandfather was a small butcher in Minnesota because being a butcher was easier than working in the mines. But it is killing work in many ways and my father moved to Detroit to work in factory as soon as he could. I think when people say the word artisanal, they conjure painting and sculpture and poetry. Unless they grew up on a small farm, they don’t know the 12-hour days, the stench or the insecurity of running a nonindustrial food operation. It will take a while to bring it back.

Real craft is taught by journeymen, raised in a craft tradition, to apprentices. If you grow up doing a craft, you are used to it and can sustain it, particularly when you don’t have alternatives. But now we are highly mobile. The families and whole towns which made great hams and sausages, specialty breads and pastries, have vanished, wandered off to easier jobs. Starting new, skilled craft operations is doubly difficult because we don’t have the traditions or the concentration of people with multiple skills that fuel and support a living craft.

BA: Many of these urban artisanal entrepreneurs are working out ways to give community support and market guarantees to the small farms and the sustainable fisheries, to preserve the traditional ways and honor the skills as well as shorten the distribution chain in order to get superior goods. These are serious people.

As for the mushroomers you described: Are they wrong to dream and explore? Perhaps after harvest, they discovered they didn’t enjoy mushrooms, or they landed big-bucks Wall Street jobs, or they moved on to some land of bigger basements with a better mushroom-growing climate. False starts are nothing to be ashamed of.

SfB: I see some hope in the people who are developing new supply chains with the remaining small fishermen and farmers (who are hardly making it). And I am desperate for their products. I want those mushrooms. But there is only a small market for premium-priced, high-quality, true-artisanal products in Boston. Yankees don’t spend money on food or clothes.

And I’m happy the gluten-allergy people are selling alternatives. Some of my friends need to find carbohydrate and dairy substitutes or they will end up like holy anorexics from the Middle Ages. But I don’t know how well that business can scale up.

What fires my skepticism most are the trendy charlatans calling their various products natural, artisanal-life affirming, authentic. Am I to believe in Domino’s artisan pizza? I am looking for skillfully made, anchored-in-a-tradition, sustainable products. I don’t want them over elucidated and over packaged. That does not give me warm feelings of authenticity. So, I worry about the good people of Brooklyn like I worried about the blissed out hippies who occupied San Francisco: This may not end well.

To show you I am not just a cranky old guy talking to an empty chair, I am not blind to Brooklyn restaurant life.  Somehow you guys have managed to attain a critical mass of cooks and epicures. If life is a table you have at least two good legs.

The Skeptic from Boston is expected to be contributing to this team blog from time to time.

Sunday Morning at the Brooklyn Book Festival

AUTHOR DAVID REES promised Brooklyn Artisan that he will hold forth on “artisanal everything” when he’s interviewed by Sam Anderson of the New York Times this Sunday, September 23,  at 11 am on the Brooklyn Book Festival’s Main Stage. Recently published by Brooklyn-based Melville House, Rees’s book How to Sharpen Pencils was admiringly covered by the New Yorker after an excerpt appeared in Dumbo-based Etsy.com’s blog. Etsy referred respectfully to the book by its full title: How To Sharpen Pencils: A Practical & Theoretical Treatise on the Artisanal Craft of Pencil Sharpening for Writers, Artists, Contractors, Flange Turners, Anglesmiths, & Civil Servants. 

 Check below for a Brooklyn Artisan guest blogger’s response to Etsy.com’s excerpt.

Brooklyn Is Not Just a Brand, It’s a State of Mind

BROOKLYN INDUSTRIES, Brooklyn Bagels, Brooklyn this, Brooklyn that, it’s everywhere–so big a brand that it subdivides. (SmorgasburgThe Gowanus Yacht ClubProspect Park West.) New York Magazine calls Brooklyn’s artisanal foods movement “The Twee Party.” The New York Times writes more respectfully about Brooklyn’s “unique food culture.”

Blogs spring up with names using almost every conceivable spelling of the borough’s name, from the antique-sounding Breuckelen to Brewklyn to Brokelyn.

Individual neighborhoods, even those districted by real estate brokers’ marketing magic, develop enduring public images that perpetuate behaviors and styles and unify a local culture. The stroller moms and chest-pack dads of Park Slope need services and stores that create clusters that attract more young families that need the same things. Playground conversations foster a distinct ethos that endorses fair trade, local, organic, artisanal foods and opposes bottle feeding and certain chain stores.

In the same way, the creative and artisanal businesses of Brooklyn need co-working spaces, fairs to show their wares, and suppliers of their materials — whether CSA partnerships or locally grown plants for natural dyes for fabrics for crafts and fashions. Or rehearsal spaces in Williamsburg. Or film-editing facilities in Greenpoint. Sitting in the middle of all this Brooklyn buzz is pretty exciting.

There’s a baby or a business born here every minute, but it’s definitely not true that what happens in Brooklyn stays in Brooklyn. Up the Hudson Valley, Cold Spring is full of Park Slope ex-pats, and some quaint local wares are Brooklyn exports. Similarly, the seeds of green-mindedness were blown here from other places. Episodes of Portlandia might as well’ve been shot here.

From time to time, Brooklyn Artisan will cover people, events, ideas, products in such places as Portland, OR, Cold Spring, NY, Poultney, VT, Appalachia. You’ll find them slugged “Outer Brooklyn.”

What’s Better Than “Perfect”?

IF GROWING THIS BLOG were modeled on “Jack and the Beanstalk,” we are at the point of the story where I have traded the family cow for three little beans. I have confidence in the growth potential of those three little beans, but the current stage feels a bit awkward.

Rather than hold out for polished perfection, though, we’re committed to publish and learn as we go.

I once earned 15 seconds of fame (appearing on a tote bag, in a quote-a-day calendar, at least one graduation speech, and a flurry of online quotes lists) when my advice to procrastinators went viral. ‘Done’ is better than ‘perfect.’

I hope I don’t have to eat those words.

–Anne Mollegen Smith, Founding Editor 

UPDATE: Ever-alert Brooklyn Artisan contributor Bruce A. Campbell sent me a link to a new piece from Fast Company called: The Truth About Being “Done” Versus Being “Perfect” What do they mean, the truth? Is this the beginning of the hottest controversy in an inkpot since Reinhold Niebuhr’s authorship of “The Serenity Prayer” was challenged?

Here is the backstory:  how I came to proclaim this long ago (decades before Facebook existed), and how I came to be known for it. The latter may be useful to you.

First: Often what makes an aphorism work is not the newness of the idea, but the particular formulation of it. “What is so rare as a day in June? Then, if ever, come perfect days.” Those are the opening lines of a James Russell Lowell poem that’s probably better known than he is. Compare that to the same content put this way: “June has unusually nice weather, don’t you think? Pretty much as good as it gets.”

Next: I first said this in an editorial context. I was managing editor of Redbook magazine (1978-81). As m.e. I managed copy flow, which always bunched at the last production minute and swamped the copy department. At the time, the award-winning magazine had the best-educated mass women’s magazine audience ever. Typos and dumb-o’s were frowned upon. Stress on the copyeditors was immense; probably their health and certainly their dispositions suffered from it. I had to get the high-achieving editors to Let Go of Their Stuff on schedule. I wrote a memo making a little joke: Nothing’s better than perfect, of course – except at a certain point in producing an issue when “done” is better than “perfect.” In short form, I used it often.

Most important: If you’re going to say something sorta’ smart and get quoted for it, it helps to say it in front of wordsmiths and scribes. The Redbook staff soon had “done is better than perfect” coming out of their ears, of course, and so did writers I worked with later at other publications.

I said it to Jane O’Reilly (author of The Girl I Left Behind and  co-founder of the Getting It Gazette in 1992) when trying to extract a piece from her. At times plagued by writer’s block, she found it helpful. When speaking to the Women’s Media Group, she cited this. Editor/writer Betsy Wade of the New York Times, a former copy editor, was struck by it. She was on the board of JAWS (Journalism and Women Symposium). JAWS produced a tote bag for their annual conference. Soon, I found myself in the best company imaginable: side-by-side on a tote bag with, oh, Frederick Douglas, and Emma Goldman, and…and….

I said it some more – a lot more, actually – during the early days of HER NEW YORK, a daily-turned-weekly tabloid for women started by the later-jailed Steven Hoffenberg. I was hired as consultant/executive editor for six weeks to get it launched. Whether it was a good idea or not, it was – let’s say, financially under-powered. But we got the thing in print and onto newsstands on the designated day! A writer on that staff, Tonice Sgrignoli, put together a women’s quote-a-day calendar a few years later, and OMG, there I was, Ms. February 9th!.

And when the World Wide Web was young, there I was, among my betters again on lots of different quotes lists. My favorite quote spot is where I come just after Thomas Edison and William Shakespeare in the “Mantras of Famous People” list. Edison says, “Opportunity is missed by most people because it is dressed in overalls and looks like work.” And Will? “To thine own self be true.”  Now, that I wish I had said.         ––AMS

Brooklyn Artisan

Blog now under development. Watch this space for a fall launch.

Brooklyn Artisan [TM] focuses on artisanal businesses, small or micro, that arise to express the passions and provide livelihoods for their creators.

  • Brooklyn Artisan is staffed and produced by seasoned professionals in print media and web content.
  • Editorial focus includes news, people, quick tips and how-to’s, community support, and solutions to common problems of growing businesses. Its purpose is to showcase services or products made both by and for this community.
  • After the development period, paid advertising will be accepted as display ads and in a business-card directory format.  An events calendar and classified ads also are on the drawing board. Press releases, job applications and events-promotion notices will be welcome and an email contact will be provided at that time.

 — Anne Mollegen Smith, Editor & Publisher, Brooklyn Artisan

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