Today! Open Studios Makes a Great Afternoon

WINDSOR TERRACE WAS OUR STARTING POINT yesterday, the first weekend day of the Open Studios event. (From Manhattan, take the F train to 15th Street and follow the map from the OS website.) Walk down Fuller Place, one of the most nearly perfect blocks in the area, with its contiguous front porches, to #41 where you’ll meet watercolor artist Joy Makon, who speaks interestingly and unpretentiously about her work and technique. After a long and successful career as a magazine, online and book cover designer, and columnist for Brooklyn Artisan, last year Makon began to bloom as a painter as well. Some of her pieces are for sale (several were snapped up yesterday),  and for a few, excellent giclée print reproductions can be bought at very reasonable prices.

From there, using our map, Brooklyn Artisan made our way down Windsor Place to 229A, to see the city-themed watercolors of Susan Greenstein,  an artist with 440 Gallery, and the rural landscapes of Phil DeSantis. Once again, the friendly and accessible artists were on hand to talk with you. (Many pieces were available with prices in the hundreds and some very good print reproductions were priced as modestly as $20.)

Simon Dinnerstein‘s house at 415 First Street (follow your map and stretch your legs a bit) serves as home, gallery and studio. You can hang your coat on the garden floor and wind your way through that floor, up to the parlor and then on to the top-floor studio, seeing his paintings and black and white graphite brush pieces all along the way. Dinnerstein is internationally known, especially for his The Fulbright Triptych, and locally beloved as a teacher as well as fine artist. Once again, the conversation was a wonderful supplement to the art. (His daughter, Simone Dinnerstein, is also known as a concert pianist.)

ALTOGETHER A SPECIAL AFTERNOON of visual adventures, good art talk, and a house tour as well! You can retrace our steps today or make your own itinerary from among the many more studios open today.