Stuckist Art “Against the Cult of the Ego-artist”

 

Judith Mills talks about her Stuckist painting on Open Studio day, Sunset Park (Brooklyn Artisan Photo Pool)

Judith Mills talks about her Stuckist paintings in her Brooklyn studio. (Brooklyn Artisan Photo Pool)

“I’VE ALIGNED MYSELF WITH STUCKISM FOR TWO YEARS,” says Judith Mills, on Open Studio day at Industry City late last month. “It has really helped me,” she says, with emphasis. With your art?, Brooklyn Artisan asks. “Yes. It enabled me to narrow down my focus to the realistic—what’s real, you know—and then to pull out to the expressive.” She gestures energetically toward the wide range of large canvases around her, wonderful, colorful, magnetic, different from one another — all that and more —and to Brooklyn Artisan, not remotely realistic.

“But the biggest surprise?” Judith continues. “It unstuck me in other areas of my life as well.” “You mean with money?” a studio visitor asks. Judith is nodding. “Or with friends?” More nodding. Judith adds, “I’ve been much more — well, here,” she says, pointing to a wire in-basket with printed pages. “You can read it.”

It is titled “THE STUCKISTS,” referring to a quote from Tracey Emin: “Your paintings are stuck, you are stuck! Stuck! Stuck! Stuck!” The subtitle of the manifesto is “Against conceptualism, hedonism and the cult of the ego-artist.” The manifesto dates from April 8, 1999, and is signed by Billy Childish and Charles Thomson. (“First published by The Hangman Bureau of Enquiry,” it says at the bottom, and gives an English address, in Kent.) It advocates authenticity in one’s work, one’s art, one’s life and one’s self.

"Waterfall," by Judith Mills

“Waterfall” is large and hynotic in rhythmic strips of blue, indigo, violet. It measures 60×72″

Judith Mills is one of the artist-organizers of Open Studios at Industry City, the complex of lofts and warehouses at Bush Terminal, in Sunset Park, Brooklyn. About 75 studios belonging to artists, photographers, stained-glass craftsmen, jewelers, musicians, and textile designers,were open to visitors.

And The Stuckists? Per Wikipedia: “Tracey Emin, CBERA (born 3 July 1963) is an English artist. She is part of the group known as Britartists or YBAs (Young British Artists),” and then it details a number of Bad Girl behaviors (such as being “drunk and swearing” on live TV), but not as many, apparently, as Tracey herself has revealed. For instance, in 1997 Emin showed  Everyone I Have Ever Slept With 1963–1995, a tent appliquéd with quite a list of names, at the Royal Academy in London. More lately she was appointed of the Order of the British Empire, and is one of only two female professors—ever—at the Royal Academy since it was founded in 1768.  Functioning in such a culture might make anyone behave like a Bad Girl.

Ah, but Brooklyn Artisan doth digress. Open Studio day at Industry City on April 26 was a “first annual” — that is, a pioneering experiment — meant to foster community both within and outside the circle of creative tenants at the vast Bush Terminal industrial and warehousing facility in Sunset Park. Some studio hosts offered light things to eat and drink and were happy to speak about their work. [Update from Judith Mills:The show went better than expected. I was selected to do a live painting performance that will be May 30th on the rooftop atrium of the Park Restaurant in Chelsea for a fundraiser. I am very excited for this opportunity that developed out of the open studios.”]  

Megan Grissett, who lives in Sunset Park, saw a notice of the Open Studios event posted in a neighborhood cafe and was eager to come over. A graduate of Savannah College of Art and Design, Megan came to New York from Raleigh, North Carolina, about three years ago.  “I live up the street,” she explains, and says she ‘d always wondered about  Industry City.

“I work as a social media specialist at an ad agency in Manhattan,” she says, “and I don’t have much time for sketching, or a place for it.” But she had wondered if the atmosphere at Industry City would be too commercial. “Now I think it would be a great environment,” she says wistfully. “I would have to share space, though.”

As we sit and chat on one of wooden benches in a hallway on the fourth floor of Building B, Megan glances down at a fresh tattoo on the top of her right foot. Rendered in green and red, it is the image of a long-stemmed budding rose. “I just had it done,” she confides, “in memory of my grandmother, who died about a month ago. I’ll think of her every time I look at it.

“We were very close,” Megan says, in her soft accent. “I don’t want to ever forget her.”

See Brooklyn Artisan’s prior stories on Industry City Open Studios. More coverage of artists and their studios will be posted this week. 

Anne Mollegen Smith also writes personal finance articles for investopedia.com.

 

 

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Moving Parts: Brooklyn Furnishings Design at The Factory Floor

SMALL, MEDIUM, AND LARGE: Otherwise, it’s hard to categorize the ingenious designs of Brooklyn makers at The Factory Floor in Industry City in the recent two-weekend show. But starting small, Brooklyn Artisan will do our best, for the record.

Small batch, small scale, big thinking at bhold design: Product development under the eye of Susan Taing, founder, takes certain characteristics from the MakerBot desktop 3D printer used to produce prototypes in the bhold lab. Double-walled thermal saki cups, for instance, with little fingerholds on one side.

Using the MakerBot 3D desktop printer, b-hold can turn around and refine prototypes in a few hours that might take days in traditional development cycles.

Using the MakerBot 3D desktop printer, bhold labs can turn around and refine prototypes in a few hours that might take days in traditional development cycles. (Photo: Brooklyn Artisan Photo Pool/dfs)

Or—our favorite, above—colorful little two-tone, two-piece objects that separate: the outer C-shape that hangs on the restaurant table and holds your bag or helmet by its handle or chin strap; and the inner part that emerges to wind and store your earbuds tangle free. You can work with the bhold labs on your own designs; contact susan@bholddesign.com. Or like us, you can just stand at a design show and play with the appealing objects fitting them together and taking them apart over and over again as minutes tick by. 

Founder/owner Mark Righter crafted sliding shelves that don't tip, thanks to the sliding dovetail joint.

Founder/owner Mark Righter crafted sliding shelves that don’t tip, thanks to the sliding dovetail joint. (Brooklyn Artisan Photo Pool/ams)

Small detail, big advantage: Cambium Studio is a Brooklyn-based woodworking furniture and design company founded by Mark Righter. From its Greenpoint location, Cambium will create custom designs for clients, and on its website offers a portfolio of pieces of its own design.

Talking shop with a potential client, Cambium Studio's founder Mark Righter, with coffee, is next to his shelves with sliding dovetails. (Brooklyn Artisan Photo Pool/ams)

Talking shop with a potential client, Cambium Studio’s founder Mark Righter, with coffee, is next to his shelves with sliding dovetails. (Brooklyn Artisan Photo Pool/ams)

What caught our eye at The Factory Floor was deceptively simple but elegant shelving for display of favorite small objects—a place to put the candles, the Japanese vase, the framed photo—that can be adjusted as the array of objects changes. How?

The framework is hung from a secure cleat on the wall, but individual shelves operate on a sliding dovetail joint. The shelves, using bamboo, are beautiful finished and the sliding function gives you an excellent excuse to pat them and fiddle with them for the pleasure of touch.

Then there’s the MidCentury-looking coffee table with lift up hinged covers on its four storage compartments. Three of the covers are in a 60s’s orange and one is in bamboo strip laminate. Fittingly it is named Mod Quad by Wonk, its maker.

David Gotl lifts the four cubby covers of the streamlined coffee table,

David Gotl lifts the four cubby covers of the streamlined coffee table,

Other combinations of finishes to suit individual clients are possible, Wonk’s website says.  In fact, since each piece is custom-made for you, you are confronted with swatches and urged to pick from them. Takeaway notion? Wonk if you love finishes.

The laminate frame holds the cushions in place; upholstery fits cushions closely.

Pratt grad’s design: The laminate frame holds the cushions; upholstery fits cushions closely.

Change the color statement (or hide the pizza drippings) at will.

Change the color statement (or hide the pizza drippings) at will.

Along with others, Pratt Institute was a co-sponsor of the design show at The Factory Floor.  At the Pratt Industrial Design booth—Pratt Institute is, by the way, based in Brooklyn—Brooklyn Artisan was engaged by a very clean-lined yet comfortable loveseat. The foam cushions made it quite sittable. And as its Pratt graduate designer demonstrated, the cushions can be flipped to your choice of color contrasts.

More coverage from the recent Brooklyn design show at The Factory Floor in Industry City, Sunset Park, is to come in the next few days. For Brooklyn Artisan’s prior coverage, follow these links:

Overview by Bruce A. Campbell

Alexandra Ferguson: Done is Better

Sleeping on The Factory Floor

The Art of Sleeping on The Factory Floor

Materia Designs's centerpiece was made of reclaimed chestnut.

Materia Designs’s centerpiece was made of reclaimed chestnut.

AT THE BROOKLYN DESIGN SHOW LAST WEEKEND this beautiful bed was practically a show-stopper for Brooklyn Artisan: We wanted to kick off our boots and lie right down in the calm surround of the Materia Designs booth. Manners prevailed, however, so remaining upright, we talked with owner/designer and craftsman Matthew Enser of Materia Designs.

The accents of black metal wrapping the bedposts made of reclaimed chestnut added a touch of elegance to the spare design with its handsomely mortised lattice headboard. The booth also showed good-looking three legged lamps, a sweet rocking horse, some chairs, an eye-catching striped storage bench, and more. A beautiful complement were the graphic textiles selected and/or designed by Megan Sommerville, Matthew’s partner. The confident metal zippers on the reading pillows came off looking industrially chic rather than scratchy or snaggy.

So…Kerhonkson?, we asked (thinking, Bless you!). Right outside of Kingston, he said, a little ways up the Hudson. Not Brooklyn?, we pushed. “Oh, Materia Designs used to be in Brooklyn,” Matthew assured us, “we love Brooklyn.” Before Brooklyn Artisan could probe about whether cost was a factor in the move, Ensner explained: “We were driving up that way, and—well, we fell in love with a big barn.” Enough said.

More Brooklyn Artisan coverage of the recent show: Alexandra Ferguson profile and The Factory Floor: Meet the Makers, overview by Bruce A. Campbell.  The Factory Floor is part of artisan-friendly Industry City within the Bush Terminal complex in Sunset City, Brooklyn.

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