Lingering After Images of Creative Studios at Industry City

The artist Dylan Vanderhoeck, with “Gibsonia,” a 2013 work.
(Brooklyn Artisan Photo Pool.)

“I CAN SEE THROUGH MY HANDS’ is what the young artist Dylan Vandenhoeck called the work he was showing Saturday in his @SO WHAT SPACE in Industry City Building B, where he has space B424 (that signifies his room on the 4th floor of Building B in the huge complex that formerly was the Bush Terminal in Sunset Park, Brooklyn).

Yesterday was Industry City’s first Open Studios day. Organized cooperatively between Industry City and some of its creative tenants, the event was an invitation to interested visitors to “get a rare glimpse of works in progress, and discover how each tenant has customized a raw studio space to fit his or her medium and personal style,” its brochure said.

Two contrasting images form a single piece, the real and the after image.

“Gibsonia” is based on a real place remembered, Dylan explained to Brooklyn Artisan. It was done in oil on canvas. The contrast is exaggerated between the dark room and the soft rug with vibrating colors, and the brilliant scene beyond the window sill’s plants.

In “Palm at the End of the Mind/After Image,” right,  a newer work in oil on linen, which appears to be two pieces joined into one, the contrast is as though you stared at the bright palm fronds on the left and then closed your eyes, seeing the after image on your retina and in your mind.

That concept sets a theme for the whole day’s happy experience of wandering from studio to studio, seeing work in progress and talking with the artists, photographers, designers and artisans practicing their craft. Over coming days, Brooklyn Artisan will report on more studios we visited.

Former editor-in-chief of Working Woman magazine and the Art of Simple Living, Anne Mollegen Smith also writes about personal finance for investopedia.com.